Dallas · a live-fire tasting counter

Ember & Salt

Six courses from a single fire. Thirty-four seats around the hearth. No gas in the building — only post oak, patience, and salt.

Tonight's seatings

The idea

Everything touches the fire.

There is no gas line in the building. Two cords of Texas post oak a week — lit at two, raked to embers by five, read all night like weather. The menu is written each morning around what the fire will give, and nothing reaches the plate without passing through it.

The Tasting

Six courses, one fire.

The menu moves with the seasons and the wood pile; tonight's is below. Read it the way you'll eat it — slowly.

Six courses — 145 · wine pairing +85

  1. Hearth loaf torn open on dark stoneware, the crumb still steaming, a ridged quenelle of pecan-smoked butter alongside.

    Course one

    Hearth Loaf

    Three-day levain baked in the dying coals, split at the table while it still steams. Butter smoked over pecan as you watch.

    PourBlanc de blancs — chalk, brioche, a little smoke

    Post oak embers · 480°

  2. Gulf snapper crudo on salt-white ceramic — pale petals in charred-lime leche de tigre with beads of grilled-citrus oil and a blackened lime half. The one cold, bright plate of the night.

    Course two

    Gulf Crudo

    Day-boat snapper, charred-lime leche de tigre, oil pressed from grilled citrus. The one cold moment of the night.

    PourAlbariño — salt air in a glass

    No flame · the pause

  3. Three whole beets from the ash bed, lacquered in their own reduced juice on charred ceramic, pools of goat's whey beneath.

    Course three

    Beets from the Ash

    Buried in the ash bed overnight, glazed in their own juice reduced over flame, finished with goat’s whey.

    PourJura Trousseau — earth answering earth

    Ash bed · overnight

  4. Redfish fillet with blistered, salt-flecked skin, smoke still rising, beside a charred citrus half and a swept line of brown butter.

    Course four

    Redfish on the Half Shell

    Cooked on its own skin over open post-oak flame, the brown butter caught in a pan beneath the grate.

    PourSkin-contact Ribolla — texture for texture

    Open flame · 700°

  5. Twenty-one-day duck breast fanned in rosy slices over its dark jus, a burnt fig half smoking at its side.

    Course five

    Duck, Aged Twenty-One Days

    Dry-aged on the hook above the hearth. The breast is kissed by flame; the jus is its own bones and black garlic.

    PourBurgundian Pinot — the quiet power

    Hearth-hung · 21 days

  6. Burnt-honey custard in a stoneware dish, its torched surface set with three shards of hearth-dried meringue, a candle burning behind.

    Course six

    Burnt Honey & Ash

    Burnt-honey custard, pecan-smoked chocolate, meringue dried over the night’s last heat. The fire’s goodbye.

    PourOloroso — embers, bottled

    The last heat · 200°

Course seven is the table itself.

Two and a quarter hours, start to finish. The fire does not repeat itself — neither will tonight.

Choose your seating

Reservations

The counter holds thirty-four. Tonight it could hold you.

This week

Guests

Seven or more? Take the Hearth Room.

Seatings · Fri Jun 19

9:30 runs Fri & Sat

The other door

The counter, à la carte.

Wednesday and Thursday, the rail seats stay walk-in: a short menu cooked off the same coals, no reservation, no ceremony. Come for one plate or stay for the night.

Wed & Thu · 5:30 until the wood runs out

  • Hearth loaf & smoked butterfor the table14
  • Oysters, ember mignonettehalf dozen24
  • Beets from the ash, whey19
  • Coal-seared gulf shrimphead on27
  • Redfish on the half shellfor two58
  • Burnt honey custard15

The Room

Thirty-four seats in the glow.

The counter at night — places set with linen and wine glasses in candlelight, the open hearth burning at the far end of the room.

The rail

Eighteen seats at the pass — close enough to feel the hearth change its mind.

The two-tops

Eight tables along the brick, lit by candle and whatever the fire throws.

The quiet rules

No tablecloths, no soundtrack louder than the wood, phones welcome but rarely used.

From the chef

“A coal at the right moment is a better cook than I will ever be. My job is to be standing there at the right moment.

Mara Voss

Chef & keeper of the fire

Voss spent nine years in kitchens that hid their fire behind steel and induction. Ember & Salt is the opposite bet: one hearth in the middle of the room, a menu that answers to it, and a brigade trained to read embers the way sommeliers read vintages.

What the fire is fed

  • Caddo Bend Farmroots, alliums, the beets
  • Brazos pasturesduck, quail, cultured butter
  • Gulf day-boatssnapper, redfish, oysters
  • Post oak & pecantwo cords a week — the cookline

Sourcing changes with the week's weather and the week's boats — the menu follows the deliveries, never the other way around.

Private dining

The Hearth Room.

A private counter off the main room for eight to fourteen guests — your own fire, your own pace, a door that closes. Birthdays, signings, the dinner before the wedding.

  • Its own hearth, its own counter
  • A menu set with the chef, for your table alone
  • Wine walked up from the cellar as the night asks

Leave an address and a date you're circling — Mara reads these herself.

Replies within a day. The room books four to six weeks out.